ffmpeg / doc / filters.texi @ 7e3373d2
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1 | 1ebe5c4c | Stefano Sabatini | @chapter Filtergraph description |
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2 | @c man begin FILTERGRAPH DESCRIPTION |
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3 | |||
4 | A filtergraph is a directed graph of connected filters. It can contain |
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5 | cycles, and there can be multiple links between a pair of |
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6 | filters. Each link has one input pad on one side connecting it to one |
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7 | filter from which it takes its input, and one output pad on the other |
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8 | side connecting it to the one filter accepting its output. |
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9 | |||
10 | Each filter in a filtergraph is an instance of a filter class |
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11 | registered in the application, which defines the features and the |
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12 | number of input and output pads of the filter. |
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13 | |||
14 | A filter with no input pads is called a "source", a filter with no |
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15 | output pads is called a "sink". |
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16 | |||
17 | @section Filtergraph syntax |
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18 | |||
19 | A filtergraph can be represented using a textual representation, which |
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20 | is recognized by the @code{-vf} and @code{-af} options of the ff* |
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21 | tools, and by the @code{av_parse_graph()} function defined in |
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22 | @file{libavfilter/avfiltergraph}. |
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23 | |||
24 | A filterchain consists of a sequence of connected filters, each one |
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25 | connected to the previous one in the sequence. A filterchain is |
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26 | represented by a list of ","-separated filter descriptions. |
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27 | |||
28 | A filtergraph consists of a sequence of filterchains. A sequence of |
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29 | filterchains is represented by a list of ";"-separated filterchain |
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30 | descriptions. |
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31 | |||
32 | A filter is represented by a string of the form: |
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33 | [@var{in_link_1}]...[@var{in_link_N}]@var{filter_name}=@var{arguments}[@var{out_link_1}]...[@var{out_link_M}] |
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34 | |||
35 | @var{filter_name} is the name of the filter class of which the |
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36 | described filter is an instance of, and has to be the name of one of |
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37 | the filter classes registered in the program. |
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38 | The name of the filter class is optionally followed by a string |
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39 | "=@var{arguments}". |
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40 | |||
41 | @var{arguments} is a string which contains the parameters used to |
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42 | initialize the filter instance, and are described in the filter |
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43 | descriptions below. |
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44 | |||
45 | The list of arguments can be quoted using the character "'" as initial |
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46 | and ending mark, and the character '\' for escaping the characters |
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47 | within the quoted text; otherwise the argument string is considered |
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48 | terminated when the next special character (belonging to the set |
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49 | "[]=;,") is encountered. |
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50 | |||
51 | The name and arguments of the filter are optionally preceded and |
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52 | followed by a list of link labels. |
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53 | A link label allows to name a link and associate it to a filter output |
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54 | or input pad. The preceding labels @var{in_link_1} |
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55 | ... @var{in_link_N}, are associated to the filter input pads, |
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56 | the following labels @var{out_link_1} ... @var{out_link_M}, are |
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57 | associated to the output pads. |
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58 | |||
59 | When two link labels with the same name are found in the |
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60 | filtergraph, a link between the corresponding input and output pad is |
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61 | created. |
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62 | |||
63 | If an output pad is not labelled, it is linked by default to the first |
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64 | unlabelled input pad of the next filter in the filterchain. |
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65 | For example in the filterchain: |
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66 | @example |
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67 | nullsrc, split[L1], [L2]overlay, nullsink |
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68 | @end example |
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69 | the split filter instance has two output pads, and the overlay filter |
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70 | instance two input pads. The first output pad of split is labelled |
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71 | "L1", the first input pad of overlay is labelled "L2", and the second |
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72 | output pad of split is linked to the second input pad of overlay, |
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73 | which are both unlabelled. |
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74 | |||
75 | In a complete filterchain all the unlabelled filter input and output |
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76 | pads must be connected. A filtergraph is considered valid if all the |
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77 | filter input and output pads of all the filterchains are connected. |
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78 | |||
79 | Follows a BNF description for the filtergraph syntax: |
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80 | @example |
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81 | @var{NAME} ::= sequence of alphanumeric characters and '_' |
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82 | @var{LINKLABEL} ::= "[" @var{NAME} "]" |
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83 | @var{LINKLABELS} ::= @var{LINKLABEL} [@var{LINKLABELS}] |
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84 | @var{FILTER_ARGUMENTS} ::= sequence of chars (eventually quoted) |
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85 | @var{FILTER} ::= [@var{LINKNAMES}] @var{NAME} ["=" @var{ARGUMENTS}] [@var{LINKNAMES}] |
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86 | @var{FILTERCHAIN} ::= @var{FILTER} [,@var{FILTERCHAIN}] |
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87 | @var{FILTERGRAPH} ::= @var{FILTERCHAIN} [;@var{FILTERGRAPH}] |
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88 | @end example |
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89 | |||
90 | @c man end FILTERGRAPH DESCRIPTION |
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91 | |||
92 | f59e9eaf | Stefano Sabatini | @chapter Audio Filters |
93 | @c man begin AUDIO FILTERS |
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94 | |||
95 | a6be21d3 | Michael Niedermayer | When you configure your FFmpeg build, you can disable any of the |
96 | f59e9eaf | Stefano Sabatini | existing filters using --disable-filters. |
97 | The configure output will show the audio filters included in your |
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98 | build. |
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99 | |||
100 | Below is a description of the currently available audio filters. |
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101 | |||
102 | 99046339 | S.N. Hemanth Meenakshisundaram | @section anull |
103 | |||
104 | Pass the audio source unchanged to the output. |
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105 | |||
106 | f59e9eaf | Stefano Sabatini | @c man end AUDIO FILTERS |
107 | |||
108 | 1ee410f3 | Stefano Sabatini | @chapter Audio Sources |
109 | @c man begin AUDIO SOURCES |
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110 | |||
111 | Below is a description of the currently available audio sources. |
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112 | |||
113 | @section anullsrc |
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114 | |||
115 | Null audio source, never return audio frames. It is mainly useful as a |
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116 | template and to be employed in analysis / debugging tools. |
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117 | |||
118 | It accepts as optional parameter a string of the form |
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119 | @var{sample_rate}:@var{channel_layout}. |
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120 | |||
121 | @var{sample_rate} specify the sample rate, and defaults to 44100. |
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122 | |||
123 | @var{channel_layout} specify the channel layout, and can be either an |
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124 | integer or a string representing a channel layout. The default value |
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125 | of @var{channel_layout} is 3, which corresponds to CH_LAYOUT_STEREO. |
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126 | |||
127 | Check the channel_layout_map definition in |
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128 | 6ef93402 | Stefano Sabatini | @file{libavcodec/audioconvert.c} for the mapping between strings and |
129 | channel layout values. |
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130 | 1ee410f3 | Stefano Sabatini | |
131 | Follow some examples: |
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132 | @example |
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133 | # set the sample rate to 48000 Hz and the channel layout to CH_LAYOUT_MONO. |
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134 | anullsrc=48000:4 |
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135 | |||
136 | # same as |
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137 | anullsrc=48000:mono |
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138 | @end example |
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139 | |||
140 | @c man end AUDIO SOURCES |
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141 | |||
142 | f0a55438 | S.N. Hemanth Meenakshisundaram | @chapter Audio Sinks |
143 | @c man begin AUDIO SINKS |
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144 | |||
145 | Below is a description of the currently available audio sinks. |
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146 | |||
147 | @section anullsink |
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148 | |||
149 | Null audio sink, do absolutely nothing with the input audio. It is |
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150 | mainly useful as a template and to be employed in analysis / debugging |
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151 | tools. |
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152 | |||
153 | @c man end AUDIO SINKS |
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154 | |||
155 | 3275ac6a | Stefano Sabatini | @chapter Video Filters |
156 | @c man begin VIDEO FILTERS |
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157 | |||
158 | a6be21d3 | Michael Niedermayer | When you configure your FFmpeg build, you can disable any of the |
159 | 3275ac6a | Stefano Sabatini | existing filters using --disable-filters. |
160 | The configure output will show the video filters included in your |
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161 | build. |
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162 | |||
163 | Below is a description of the currently available video filters. |
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164 | |||
165 | 13fabd7a | Stefano Sabatini | @section blackframe |
166 | |||
167 | Detect frames that are (almost) completely black. Can be useful to |
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168 | detect chapter transitions or commercials. Output lines consist of |
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169 | the frame number of the detected frame, the percentage of blackness, |
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170 | the position in the file if known or -1 and the timestamp in seconds. |
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171 | |||
172 | In order to display the output lines, you need to set the loglevel at |
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173 | least to the AV_LOG_INFO value. |
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174 | |||
175 | The filter accepts the syntax: |
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176 | @example |
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177 | blackframe[=@var{amount}:[@var{threshold}]] |
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178 | @end example |
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179 | |||
180 | @var{amount} is the percentage of the pixels that have to be below the |
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181 | threshold, and defaults to 98. |
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182 | |||
183 | @var{threshold} is the threshold below which a pixel value is |
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184 | considered black, and defaults to 32. |
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185 | |||
186 | b5670209 | Stefano Sabatini | @section copy |
187 | |||
188 | Copy the input source unchanged to the output. Mainly useful for |
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189 | testing purposes. |
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190 | |||
191 | 3275ac6a | Stefano Sabatini | @section crop |
192 | |||
193 | 75b67a8a | Stefano Sabatini | Crop the input video to @var{out_w}:@var{out_h}:@var{x}:@var{y}. |
194 | 3275ac6a | Stefano Sabatini | |
195 | 75b67a8a | Stefano Sabatini | The parameters are expressions containing the following constants: |
196 | |||
197 | @table @option |
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198 | @item E, PI, PHI |
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199 | the corresponding mathematical approximated values for e |
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200 | (euler number), pi (greek PI), PHI (golden ratio) |
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201 | |||
202 | @item x, y |
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203 | the computed values for @var{x} and @var{y}. They are evaluated for |
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204 | each new frame. |
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205 | |||
206 | @item in_w, in_h |
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207 | the input width and heigth |
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208 | |||
209 | @item iw, ih |
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210 | same as @var{in_w} and @var{in_h} |
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211 | |||
212 | @item out_w, out_h |
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213 | the output (cropped) width and heigth |
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214 | |||
215 | @item ow, oh |
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216 | same as @var{out_w} and @var{out_h} |
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217 | |||
218 | @item n |
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219 | the number of input frame, starting from 0 |
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220 | |||
221 | @item pos |
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222 | the position in the file of the input frame, NAN if unknown |
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223 | |||
224 | @item t |
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225 | timestamp expressed in seconds, NAN if the input timestamp is unknown |
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226 | 3275ac6a | Stefano Sabatini | |
227 | 75b67a8a | Stefano Sabatini | @end table |
228 | 3275ac6a | Stefano Sabatini | |
229 | 75b67a8a | Stefano Sabatini | The @var{out_w} and @var{out_h} parameters specify the expressions for |
230 | the width and height of the output (cropped) video. They are |
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231 | evaluated just at the configuration of the filter. |
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232 | 3275ac6a | Stefano Sabatini | |
233 | 75b67a8a | Stefano Sabatini | The default value of @var{out_w} is "in_w", and the default value of |
234 | @var{out_h} is "in_h". |
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235 | 2bc05d35 | Stefano Sabatini | |
236 | 75b67a8a | Stefano Sabatini | The expression for @var{out_w} may depend on the value of @var{out_h}, |
237 | and the expression for @var{out_h} may depend on @var{out_w}, but they |
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238 | cannot depend on @var{x} and @var{y}, as @var{x} and @var{y} are |
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239 | evaluated after @var{out_w} and @var{out_h}. |
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240 | 2bc05d35 | Stefano Sabatini | |
241 | 75b67a8a | Stefano Sabatini | The @var{x} and @var{y} parameters specify the expressions for the |
242 | position of the top-left corner of the output (non-cropped) area. They |
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243 | are evaluated for each frame. If the evaluated value is not valid, it |
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244 | is approximated to the nearest valid value. |
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245 | 3275ac6a | Stefano Sabatini | |
246 | 75b67a8a | Stefano Sabatini | The default value of @var{x} is "(in_w-out_w)/2", and the default |
247 | value for @var{y} is "(in_h-out_h)/2", which set the cropped area at |
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248 | the center of the input image. |
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249 | |||
250 | The expression for @var{x} may depend on @var{y}, and the expression |
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251 | for @var{y} may depend on @var{x}. |
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252 | |||
253 | Follow some examples: |
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254 | 3275ac6a | Stefano Sabatini | @example |
255 | 75b67a8a | Stefano Sabatini | # crop the central input area with size 100x100 |
256 | crop=100:100 |
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257 | |||
258 | # crop the central input area with size 2/3 of the input video |
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259 | "crop=2/3*in_w:2/3*in_h" |
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260 | |||
261 | # crop the input video central square |
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262 | crop=in_h |
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263 | |||
264 | # delimit the rectangle with the top-left corner placed at position |
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265 | # 100:100 and the right-bottom corner corresponding to the right-bottom |
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266 | # corner of the input image. |
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267 | crop=in_w-100:in_h-100:100:100 |
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268 | 3275ac6a | Stefano Sabatini | |
269 | e6dba1d8 | Stefano Sabatini | # crop 10 pixels from the left and right borders, and 20 pixels from |
270 | 75b67a8a | Stefano Sabatini | # the top and bottom borders |
271 | "crop=in_w-2*10:in_h-2*20" |
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272 | 3275ac6a | Stefano Sabatini | |
273 | 75b67a8a | Stefano Sabatini | # keep only the bottom right quarter of the input image |
274 | "crop=in_w/2:in_h/2:in_w/2:in_h/2" |
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275 | |||
276 | # crop height for getting Greek harmony |
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277 | "crop=in_w:1/PHI*in_w" |
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278 | |||
279 | # trembling effect |
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280 | "crop=in_w/2:in_h/2:(in_w-out_w)/2+((in_w-out_w)/2)*sin(n/10):(in_h-out_h)/2 +((in_h-out_h)/2)*sin(n/7)" |
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281 | |||
282 | e6dba1d8 | Stefano Sabatini | # erratic camera effect depending on timestamp |
283 | 75b67a8a | Stefano Sabatini | "crop=in_w/2:in_h/2:(in_w-out_w)/2+((in_w-out_w)/2)*sin(t*10):(in_h-out_h)/2 +((in_h-out_h)/2)*sin(t*13)" |
284 | |||
285 | # set x depending on the value of y |
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286 | "crop=in_w/2:in_h/2:y:10+10*sin(n/10)" |
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287 | @end example |
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288 | 3275ac6a | Stefano Sabatini | |
289 | 68b79bfc | Stefano Sabatini | @section cropdetect |
290 | |||
291 | Auto-detect crop size. |
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292 | |||
293 | Calculate necessary cropping parameters and prints the recommended |
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294 | parameters through the logging system. The detected dimensions |
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295 | correspond to the non-black area of the input video. |
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296 | |||
297 | It accepts the syntax: |
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298 | @example |
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299 | 3699c1f1 | Stefano Sabatini | cropdetect[=@var{limit}[:@var{round}[:@var{reset}]]] |
300 | 68b79bfc | Stefano Sabatini | @end example |
301 | |||
302 | @table @option |
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303 | |||
304 | @item limit |
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305 | Threshold, which can be optionally specified from nothing (0) to |
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306 | everything (255), defaults to 24. |
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307 | |||
308 | @item round |
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309 | Value which the width/height should be divisible by, defaults to |
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310 | 16. The offset is automatically adjusted to center the video. Use 2 to |
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311 | get only even dimensions (needed for 4:2:2 video). 16 is best when |
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312 | encoding to most video codecs. |
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313 | |||
314 | @item reset |
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315 | Counter that determines after how many frames cropdetect will reset |
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316 | the previously detected largest video area and start over to detect |
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317 | the current optimal crop area. Defaults to 0. |
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318 | |||
319 | This can be useful when channel logos distort the video area. 0 |
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320 | indicates never reset and return the largest area encountered during |
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321 | playback. |
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322 | @end table |
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323 | |||
324 | e40032e2 | Stefano Sabatini | @section drawbox |
325 | |||
326 | Draw a colored box on the input image. |
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327 | |||
328 | It accepts the syntax: |
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329 | @example |
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330 | drawbox=@var{x}:@var{y}:@var{width}:@var{height}:@var{color} |
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331 | @end example |
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332 | |||
333 | @table @option |
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334 | |||
335 | @item x, y |
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336 | Specify the top left corner coordinates of the box. Default to 0. |
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337 | |||
338 | @item width, height |
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339 | Specify the width and height of the box, if 0 they are interpreted as |
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340 | the input width and height. Default to 0. |
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341 | |||
342 | @item color |
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343 | Specify the color of the box to write, it can be the name of a color |
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344 | (case insensitive match) or a 0xRRGGBB[AA] sequence. |
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345 | @end table |
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346 | |||
347 | Follow some examples: |
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348 | @example |
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349 | # draw a black box around the edge of the input image |
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350 | drawbox |
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351 | |||
352 | # draw a box with color red and an opacity of 50% |
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353 | drawbox=10:20:200:60:red@@0.5" |
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354 | @end example |
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355 | |||
356 | bd8e7503 | Stefano Sabatini | @section drawtext |
357 | |||
358 | Draw text string or text from specified file on top of video using the |
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359 | libfreetype library. |
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360 | |||
361 | To enable compilation of this filter you need to configure FFmpeg with |
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362 | @code{--enable-libfreetype}. |
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363 | |||
364 | The filter also recognizes strftime() sequences in the provided text |
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365 | and expands them accordingly. Check the documentation of strftime(). |
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366 | |||
367 | The filter accepts parameters as a list of @var{key}=@var{value} pairs, |
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368 | separated by ":". |
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369 | |||
370 | The description of the accepted parameters follows. |
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371 | |||
372 | @table @option |
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373 | |||
374 | @item fontfile |
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375 | The font file to be used for drawing text. Path must be included. |
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376 | This parameter is mandatory. |
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377 | |||
378 | @item text |
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379 | The text string to be drawn. The text must be a sequence of UTF-8 |
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380 | encoded characters. |
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381 | 5c5816c4 | Stefano Sabatini | This parameter is mandatory if no file is specified with the parameter |
382 | @var{textfile}. |
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383 | bd8e7503 | Stefano Sabatini | |
384 | @item textfile |
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385 | A text file containing text to be drawn. The text must be a sequence |
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386 | 5c5816c4 | Stefano Sabatini | of UTF-8 encoded characters. |
387 | bd8e7503 | Stefano Sabatini | |
388 | 5c5816c4 | Stefano Sabatini | This parameter is mandatory if no text string is specified with the |
389 | parameter @var{text}. |
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390 | bd8e7503 | Stefano Sabatini | |
391 | If both text and textfile are specified, an error is thrown. |
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392 | |||
393 | @item x, y |
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394 | The offsets where text will be drawn within the video frame. |
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395 | Relative to the top/left border of the output image. |
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396 | |||
397 | The default value of @var{x} and @var{y} is 0. |
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398 | |||
399 | @item fontsize |
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400 | The font size to be used for drawing text. |
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401 | 5c5816c4 | Stefano Sabatini | The default value of @var{fontsize} is 16. |
402 | bd8e7503 | Stefano Sabatini | |
403 | @item fontcolor |
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404 | The color to be used for drawing fonts. |
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405 | Either a string (e.g. "red") or in 0xRRGGBB[AA] format |
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406 | (e.g. "0xff000033"), possibly followed by an alpha specifier. |
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407 | The default value of @var{fontcolor} is "black". |
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408 | |||
409 | @item boxcolor |
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410 | The color to be used for drawing box around text. |
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411 | Either a string (e.g. "yellow") or in 0xRRGGBB[AA] format |
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412 | (e.g. "0xff00ff"), possibly followed by an alpha specifier. |
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413 | 7e3373d2 | Stefano Sabatini | The default value of @var{boxcolor} is "white". |
414 | bd8e7503 | Stefano Sabatini | |
415 | @item box |
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416 | Used to draw a box around text using background color. |
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417 | Value should be either 1 (enable) or 0 (disable). |
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418 | The default value of @var{box} is 0. |
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419 | |||
420 | 17be8ef7 | Stefano Sabatini | @item shadowx, shadowy |
421 | The x and y offsets for the text shadow position with respect to the |
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422 | position of the text. They can be either positive or negative |
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423 | values. Default value for both is "0". |
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424 | |||
425 | @item shadowcolor |
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426 | The color to be used for drawing a shadow behind the drawn text. It |
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427 | can be a color name (e.g. "yellow") or a string in the 0xRRGGBB[AA] |
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428 | form (e.g. "0xff00ff"), possibly followed by an alpha specifier. |
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429 | The default value of @var{shadowcolor} is "black". |
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430 | |||
431 | bd8e7503 | Stefano Sabatini | @item ft_load_flags |
432 | Flags to be used for loading the fonts. |
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433 | |||
434 | The flags map the corresponding flags supported by libfreetype, and are |
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435 | a combination of the following values: |
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436 | @table @var |
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437 | @item default |
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438 | @item no_scale |
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439 | @item no_hinting |
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440 | @item render |
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441 | @item no_bitmap |
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442 | @item vertical_layout |
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443 | @item force_autohint |
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444 | @item crop_bitmap |
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445 | @item pedantic |
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446 | @item ignore_global_advance_width |
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447 | @item no_recurse |
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448 | @item ignore_transform |
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449 | @item monochrome |
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450 | @item linear_design |
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451 | @item no_autohint |
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452 | @item end table |
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453 | @end table |
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454 | |||
455 | Default value is "render". |
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456 | |||
457 | For more information consult the documentation for the FT_LOAD_* |
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458 | libfreetype flags. |
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459 | |||
460 | @item tabsize |
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461 | The size in number of spaces to use for rendering the tab. |
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462 | Default value is 4. |
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463 | @end table |
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464 | |||
465 | For example the command: |
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466 | @example |
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467 | 5c5816c4 | Stefano Sabatini | drawtext="fontfile=FreeSerif.ttf: text='Test Text': x=100: y=50: fontsize=24: fontcolor=yellow@@0.2: boxcolor=red@@0.2: box=1" |
468 | bd8e7503 | Stefano Sabatini | @end example |
469 | |||
470 | will draw 'Test Text' with font FreeSerif of size 24 at position |
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471 | (100,50), text color is yellow, and draw a red box around text. Both |
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472 | the text and the box have an opacity of 20%. |
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473 | |||
474 | Note that the double quotes are not necessary if spaces are not used |
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475 | within the parameter list. |
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476 | |||
477 | For more information about libfreetype, check: |
||
478 | 5c5816c4 | Stefano Sabatini | @url{http://www.freetype.org/}. |
479 | bd8e7503 | Stefano Sabatini | |
480 | 681ba722 | Stefano Sabatini | @section fade |
481 | |||
482 | Apply fade-in/out effect to input video. |
||
483 | |||
484 | It accepts the parameters: |
||
485 | @var{type}:@var{start_frame}:@var{nb_frames} |
||
486 | |||
487 | @var{type} specifies if the effect type, can be either "in" for |
||
488 | fade-in, or "out" for a fade-out effect. |
||
489 | |||
490 | @var{start_frame} specifies the number of the start frame for starting |
||
491 | to apply the fade effect. |
||
492 | |||
493 | @var{nb_frames} specifies the number of frames for which the fade |
||
494 | effect has to last. At the end of the fade-in effect the output video |
||
495 | will have the same intensity as the input video, at the end of the |
||
496 | fade-out transition the output video will be completely black. |
||
497 | |||
498 | A few usage examples follow, usable too as test scenarios. |
||
499 | @example |
||
500 | # fade in first 30 frames of video |
||
501 | fade=in:0:30 |
||
502 | |||
503 | # fade out last 45 frames of a 200-frame video |
||
504 | fade=out:155:45 |
||
505 | |||
506 | # fade in first 25 frames and fade out last 25 frames of a 1000-frame video |
||
507 | fade=in:0:25, fade=out:975:25 |
||
508 | |||
509 | # make first 5 frames black, then fade in from frame 5-24 |
||
510 | fade=in:5:20 |
||
511 | @end example |
||
512 | |||
513 | 7f1af825 | Stefano Sabatini | @section fifo |
514 | |||
515 | Buffer input images and send them when they are requested. |
||
516 | |||
517 | This filter is mainly useful when auto-inserted by the libavfilter |
||
518 | framework. |
||
519 | |||
520 | The filter does not take parameters. |
||
521 | |||
522 | 3275ac6a | Stefano Sabatini | @section format |
523 | |||
524 | Convert the input video to one of the specified pixel formats. |
||
525 | Libavfilter will try to pick one that is supported for the input to |
||
526 | the next filter. |
||
527 | |||
528 | b1094275 | Stefano Sabatini | The filter accepts a list of pixel format names, separated by ":", |
529 | for example "yuv420p:monow:rgb24". |
||
530 | 3275ac6a | Stefano Sabatini | |
531 | f150e4dc | Stefano Sabatini | Some examples follow: |
532 | 3275ac6a | Stefano Sabatini | @example |
533 | f150e4dc | Stefano Sabatini | # convert the input video to the format "yuv420p" |
534 | format=yuv420p |
||
535 | 3275ac6a | Stefano Sabatini | |
536 | f150e4dc | Stefano Sabatini | # convert the input video to any of the formats in the list |
537 | format=yuv420p:yuv444p:yuv410p |
||
538 | @end example |
||
539 | 3275ac6a | Stefano Sabatini | |
540 | f8608dca | Stefano Sabatini | @anchor{frei0r} |
541 | 47941088 | Stefano Sabatini | @section frei0r |
542 | |||
543 | Apply a frei0r effect to the input video. |
||
544 | |||
545 | To enable compilation of this filter you need to install the frei0r |
||
546 | a6be21d3 | Michael Niedermayer | header and configure FFmpeg with --enable-frei0r. |
547 | 47941088 | Stefano Sabatini | |
548 | The filter supports the syntax: |
||
549 | @example |
||
550 | f51aeedd | Stefano Sabatini | @var{filter_name}[@{:|=@}@var{param1}:@var{param2}:...:@var{paramN}] |
551 | 47941088 | Stefano Sabatini | @end example |
552 | |||
553 | @var{filter_name} is the name to the frei0r effect to load. If the |
||
554 | environment variable @env{FREI0R_PATH} is defined, the frei0r effect |
||
555 | is searched in each one of the directories specified by the colon |
||
556 | separated list in @env{FREIOR_PATH}, otherwise in the standard frei0r |
||
557 | paths, which are in this order: @file{HOME/.frei0r-1/lib/}, |
||
558 | @file{/usr/local/lib/frei0r-1/}, @file{/usr/lib/frei0r-1/}. |
||
559 | |||
560 | @var{param1}, @var{param2}, ... , @var{paramN} specify the parameters |
||
561 | for the frei0r effect. |
||
562 | |||
563 | A frei0r effect parameter can be a boolean (whose values are specified |
||
564 | with "y" and "n"), a double, a color (specified by the syntax |
||
565 | @var{R}/@var{G}/@var{B}, @var{R}, @var{G}, and @var{B} being float |
||
566 | numbers from 0.0 to 1.0) or by an @code{av_parse_color()} color |
||
567 | description), a position (specified by the syntax @var{X}/@var{Y}, |
||
568 | @var{X} and @var{Y} being float numbers) and a string. |
||
569 | |||
570 | The number and kind of parameters depend on the loaded effect. If an |
||
571 | effect parameter is not specified the default value is set. |
||
572 | |||
573 | Some examples follow: |
||
574 | @example |
||
575 | # apply the distort0r effect, set the first two double parameters |
||
576 | frei0r=distort0r:0.5:0.01 |
||
577 | |||
578 | # apply the colordistance effect, takes a color as first parameter |
||
579 | frei0r=colordistance:0.2/0.3/0.4 |
||
580 | frei0r=colordistance:violet |
||
581 | frei0r=colordistance:0x112233 |
||
582 | |||
583 | # apply the perspective effect, specify the top left and top right |
||
584 | # image positions |
||
585 | frei0r=perspective:0.2/0.2:0.8/0.2 |
||
586 | @end example |
||
587 | |||
588 | For more information see: |
||
589 | @url{http://piksel.org/frei0r} |
||
590 | |||
591 | d5f187fd | Nolan L | @section gradfun |
592 | |||
593 | Fix the banding artifacts that are sometimes introduced into nearly flat |
||
594 | regions by truncation to 8bit colordepth. |
||
595 | Interpolate the gradients that should go where the bands are, and |
||
596 | dither them. |
||
597 | |||
598 | da3534b0 | Stefano Sabatini | This filter is designed for playback only. Do not use it prior to |
599 | lossy compression, because compression tends to lose the dither and |
||
600 | bring back the bands. |
||
601 | |||
602 | d5f187fd | Nolan L | The filter takes two optional parameters, separated by ':': |
603 | @var{strength}:@var{radius} |
||
604 | |||
605 | @var{strength} is the maximum amount by which the filter will change |
||
606 | any one pixel. Also the threshold for detecting nearly flat |
||
607 | regions. Acceptable values range from .51 to 255, default value is |
||
608 | 1.2, out-of-range values will be clipped to the valid range. |
||
609 | |||
610 | @var{radius} is the neighborhood to fit the gradient to. A larger |
||
611 | radius makes for smoother gradients, but also prevents the filter from |
||
612 | modifying the pixels near detailed regions. Acceptable values are |
||
613 | 8-32, default value is 16, out-of-range values will be clipped to the |
||
614 | valid range. |
||
615 | |||
616 | @example |
||
617 | # default parameters |
||
618 | gradfun=1.2:16 |
||
619 | |||
620 | # omitting radius |
||
621 | gradfun=1.2 |
||
622 | @end example |
||
623 | |||
624 | a1e171df | Stefano Sabatini | @section hflip |
625 | |||
626 | Flip the input video horizontally. |
||
627 | |||
628 | For example to horizontally flip the video in input with |
||
629 | @file{ffmpeg}: |
||
630 | @example |
||
631 | ffmpeg -i in.avi -vf "hflip" out.avi |
||
632 | @end example |
||
633 | |||
634 | a4dc7aa5 | Baptiste Coudurier | @section hqdn3d |
635 | |||
636 | High precision/quality 3d denoise filter. This filter aims to reduce |
||
637 | image noise producing smooth images and making still images really |
||
638 | still. It should enhance compressibility. |
||
639 | |||
640 | It accepts the following optional parameters: |
||
641 | @var{luma_spatial}:@var{chroma_spatial}:@var{luma_tmp}:@var{chroma_tmp} |
||
642 | |||
643 | @table @option |
||
644 | @item luma_spatial |
||
645 | a non-negative float number which specifies spatial luma strength, |
||
646 | defaults to 4.0 |
||
647 | |||
648 | @item chroma_spatial |
||
649 | a non-negative float number which specifies spatial chroma strength, |
||
650 | defaults to 3.0*@var{luma_spatial}/4.0 |
||
651 | |||
652 | @item luma_tmp |
||
653 | a float number which specifies luma temporal strength, defaults to |
||
654 | 6.0*@var{luma_spatial}/4.0 |
||
655 | |||
656 | @item chroma_tmp |
||
657 | a float number which specifies chroma temporal strength, defaults to |
||
658 | @var{luma_tmp}*@var{chroma_spatial}/@var{luma_spatial} |
||
659 | @end table |
||
660 | |||
661 | cd39549e | Stefano Sabatini | @section mp |
662 | |||
663 | Apply an MPlayer filter to the input video. |
||
664 | |||
665 | This filter provides a wrapper around most of the filters of |
||
666 | MPlayer/MEncoder. |
||
667 | |||
668 | This wrapper is considered experimental. Some of the wrapped filters |
||
669 | may not work properly and we may drop support for them, as they will |
||
670 | be implemented natively into FFmpeg. Thus you should avoid |
||
671 | depending on them when writing portable scripts. |
||
672 | |||
673 | The filters accepts the parameters: |
||
674 | @var{filter_name}[:=]@var{filter_params} |
||
675 | |||
676 | @var{filter_name} is the name of a supported MPlayer filter, |
||
677 | @var{filter_params} is a string containing the parameters accepted by |
||
678 | the named filter. |
||
679 | |||
680 | The list of the currently supported filters follows: |
||
681 | @table @var |
||
682 | @item 2xsai |
||
683 | @item blackframe |
||
684 | @item boxblur |
||
685 | @item cropdetect |
||
686 | @item decimate |
||
687 | @item delogo |
||
688 | @item denoise3d |
||
689 | @item detc |
||
690 | @item dint |
||
691 | @item divtc |
||
692 | @item down3dright |
||
693 | @item dsize |
||
694 | @item eq2 |
||
695 | @item eq |
||
696 | @item field |
||
697 | @item fil |
||
698 | @item fixpts |
||
699 | @item framestep |
||
700 | @item fspp |
||
701 | @item geq |
||
702 | @item gradfun |
||
703 | @item harddup |
||
704 | @item hqdn3d |
||
705 | @item hue |
||
706 | @item il |
||
707 | @item ilpack |
||
708 | @item ivtc |
||
709 | @item kerndeint |
||
710 | @item mcdeint |
||
711 | @item mirror |
||
712 | @item noise |
||
713 | @item ow |
||
714 | @item palette |
||
715 | @item perspective |
||
716 | @item phase |
||
717 | @item pp7 |
||
718 | @item pullup |
||
719 | @item qp |
||
720 | @item rectangle |
||
721 | @item remove_logo |
||
722 | @item rgbtest |
||
723 | @item rotate |
||
724 | @item sab |
||
725 | @item screenshot |
||
726 | @item smartblur |
||
727 | @item softpulldown |
||
728 | @item softskip |
||
729 | @item spp |
||
730 | @item swapuv |
||
731 | @item telecine |
||
732 | @item test |
||
733 | @item tile |
||
734 | @item tinterlace |
||
735 | @item unsharp |
||
736 | @item uspp |
||
737 | @item yuvcsp |
||
738 | @item yvu9 |
||
739 | @end table |
||
740 | |||
741 | The parameter syntax and behavior for the listed filters are the same |
||
742 | of the corresponding MPlayer filters. For detailed instructions check |
||
743 | the "VIDEO FILTERS" section in the MPlayer manual. |
||
744 | |||
745 | Some examples follow: |
||
746 | @example |
||
747 | # remove a logo by interpolating the surrounding pixels |
||
748 | mp=delogo=200:200:80:20:1 |
||
749 | |||
750 | # adjust gamma, brightness, contrast |
||
751 | mp=eq2=1.0:2:0.5 |
||
752 | |||
753 | # tweak hue and saturation |
||
754 | mp=hue=100:-10 |
||
755 | @end example |
||
756 | |||
757 | See also mplayer(1), @url{http://www.mplayerhq.hu/}. |
||
758 | |||
759 | 3275ac6a | Stefano Sabatini | @section noformat |
760 | |||
761 | Force libavfilter not to use any of the specified pixel formats for the |
||
762 | input to the next filter. |
||
763 | |||
764 | b1094275 | Stefano Sabatini | The filter accepts a list of pixel format names, separated by ":", |
765 | for example "yuv420p:monow:rgb24". |
||
766 | 3275ac6a | Stefano Sabatini | |
767 | f150e4dc | Stefano Sabatini | Some examples follow: |
768 | 3275ac6a | Stefano Sabatini | @example |
769 | f150e4dc | Stefano Sabatini | # force libavfilter to use a format different from "yuv420p" for the |
770 | # input to the vflip filter |
||
771 | noformat=yuv420p,vflip |
||
772 | 3275ac6a | Stefano Sabatini | |
773 | f150e4dc | Stefano Sabatini | # convert the input video to any of the formats not contained in the list |
774 | noformat=yuv420p:yuv444p:yuv410p |
||
775 | @end example |
||
776 | 3275ac6a | Stefano Sabatini | |
777 | @section null |
||
778 | |||
779 | 99046339 | S.N. Hemanth Meenakshisundaram | Pass the video source unchanged to the output. |
780 | 3275ac6a | Stefano Sabatini | |
781 | cf69ad35 | Stefano Sabatini | @section ocv |
782 | 6ebf0bfc | Stefano Sabatini | |
783 | cf69ad35 | Stefano Sabatini | Apply video transform using libopencv. |
784 | 6ebf0bfc | Stefano Sabatini | |
785 | To enable this filter install libopencv library and headers and |
||
786 | a6be21d3 | Michael Niedermayer | configure FFmpeg with --enable-libopencv. |
787 | 6ebf0bfc | Stefano Sabatini | |
788 | cf69ad35 | Stefano Sabatini | The filter takes the parameters: @var{filter_name}@{:=@}@var{filter_params}. |
789 | |||
790 | @var{filter_name} is the name of the libopencv filter to apply. |
||
791 | |||
792 | @var{filter_params} specifies the parameters to pass to the libopencv |
||
793 | filter. If not specified the default values are assumed. |
||
794 | |||
795 | Refer to the official libopencv documentation for more precise |
||
796 | informations: |
||
797 | @url{http://opencv.willowgarage.com/documentation/c/image_filtering.html} |
||
798 | |||
799 | Follows the list of supported libopencv filters. |
||
800 | |||
801 | 17fc9493 | Stefano Sabatini | @anchor{dilate} |
802 | 91cbb6ba | Stefano Sabatini | @subsection dilate |
803 | |||
804 | Dilate an image by using a specific structuring element. |
||
805 | This filter corresponds to the libopencv function @code{cvDilate}. |
||
806 | |||
807 | It accepts the parameters: @var{struct_el}:@var{nb_iterations}. |
||
808 | |||
809 | @var{struct_el} represents a structuring element, and has the syntax: |
||
810 | @var{cols}x@var{rows}+@var{anchor_x}x@var{anchor_y}/@var{shape} |
||
811 | |||
812 | @var{cols} and @var{rows} represent the number of colums and rows of |
||
813 | the structuring element, @var{anchor_x} and @var{anchor_y} the anchor |
||
814 | point, and @var{shape} the shape for the structuring element, and |
||
815 | can be one of the values "rect", "cross", "ellipse", "custom". |
||
816 | |||
817 | If the value for @var{shape} is "custom", it must be followed by a |
||
818 | string of the form "=@var{filename}". The file with name |
||
819 | @var{filename} is assumed to represent a binary image, with each |
||
820 | printable character corresponding to a bright pixel. When a custom |
||
821 | @var{shape} is used, @var{cols} and @var{rows} are ignored, the number |
||
822 | or columns and rows of the read file are assumed instead. |
||
823 | |||
824 | The default value for @var{struct_el} is "3x3+0x0/rect". |
||
825 | |||
826 | @var{nb_iterations} specifies the number of times the transform is |
||
827 | applied to the image, and defaults to 1. |
||
828 | |||
829 | Follow some example: |
||
830 | @example |
||
831 | # use the default values |
||
832 | ocv=dilate |
||
833 | |||
834 | # dilate using a structuring element with a 5x5 cross, iterate two times |
||
835 | ocv=dilate=5x5+2x2/cross:2 |
||
836 | |||
837 | # read the shape from the file diamond.shape, iterate two times |
||
838 | # the file diamond.shape may contain a pattern of characters like this: |
||
839 | # * |
||
840 | # *** |
||
841 | # ***** |
||
842 | # *** |
||
843 | # * |
||
844 | # the specified cols and rows are ignored (but not the anchor point coordinates) |
||
845 | ocv=0x0+2x2/custom=diamond.shape:2 |
||
846 | @end example |
||
847 | |||
848 | 17fc9493 | Stefano Sabatini | @subsection erode |
849 | |||
850 | Erode an image by using a specific structuring element. |
||
851 | This filter corresponds to the libopencv function @code{cvErode}. |
||
852 | |||
853 | The filter accepts the parameters: @var{struct_el}:@var{nb_iterations}, |
||
854 | with the same meaning and use of those of the dilate filter |
||
855 | (@pxref{dilate}). |
||
856 | |||
857 | cf69ad35 | Stefano Sabatini | @subsection smooth |
858 | |||
859 | Smooth the input video. |
||
860 | |||
861 | The filter takes the following parameters: |
||
862 | 6ebf0bfc | Stefano Sabatini | @var{type}:@var{param1}:@var{param2}:@var{param3}:@var{param4}. |
863 | |||
864 | @var{type} is the type of smooth filter to apply, and can be one of |
||
865 | 58d94364 | Stefano Sabatini | the following values: "blur", "blur_no_scale", "median", "gaussian", |
866 | 6ebf0bfc | Stefano Sabatini | "bilateral". The default value is "gaussian". |
867 | |||
868 | @var{param1}, @var{param2}, @var{param3}, and @var{param4} are |
||
869 | parameters whose meanings depend on smooth type. @var{param1} and |
||
870 | @var{param2} accept integer positive values or 0, @var{param3} and |
||
871 | @var{param4} accept float values. |
||
872 | |||
873 | The default value for @var{param1} is 3, the default value for the |
||
874 | other parameters is 0. |
||
875 | |||
876 | 58d94364 | Stefano Sabatini | These parameters correspond to the parameters assigned to the |
877 | cf69ad35 | Stefano Sabatini | libopencv function @code{cvSmooth}. |
878 | 6ebf0bfc | Stefano Sabatini | |
879 | 58935b25 | Stefano Sabatini | @section overlay |
880 | |||
881 | Overlay one video on top of another. |
||
882 | |||
883 | It takes two inputs and one output, the first input is the "main" |
||
884 | video on which the second input is overlayed. |
||
885 | |||
886 | It accepts the parameters: @var{x}:@var{y}. |
||
887 | |||
888 | @var{x} is the x coordinate of the overlayed video on the main video, |
||
889 | @var{y} is the y coordinate. The parameters are expressions containing |
||
890 | the following parameters: |
||
891 | |||
892 | @table @option |
||
893 | @item main_w, main_h |
||
894 | main input width and height |
||
895 | |||
896 | @item W, H |
||
897 | same as @var{main_w} and @var{main_h} |
||
898 | |||
899 | @item overlay_w, overlay_h |
||
900 | overlay input width and height |
||
901 | |||
902 | @item w, h |
||
903 | same as @var{overlay_w} and @var{overlay_h} |
||
904 | @end table |
||
905 | |||
906 | Be aware that frames are taken from each input video in timestamp |
||
907 | order, hence, if their initial timestamps differ, it is a a good idea |
||
908 | to pass the two inputs through a @var{setpts=PTS-STARTPTS} filter to |
||
909 | have them begin in the same zero timestamp, as it does the example for |
||
910 | the @var{movie} filter. |
||
911 | |||
912 | Follow some examples: |
||
913 | @example |
||
914 | # draw the overlay at 10 pixels from the bottom right |
||
915 | # corner of the main video. |
||
916 | overlay=main_w-overlay_w-10:main_h-overlay_h-10 |
||
917 | |||
918 | # insert a transparent PNG logo in the bottom left corner of the input |
||
919 | b423996b | Stefano Sabatini | movie=logo.png [logo]; |
920 | 58935b25 | Stefano Sabatini | [in][logo] overlay=10:main_h-overlay_h-10 [out] |
921 | |||
922 | # insert 2 different transparent PNG logos (second logo on bottom |
||
923 | # right corner): |
||
924 | b423996b | Stefano Sabatini | movie=logo1.png [logo1]; |
925 | movie=logo2.png [logo2]; |
||
926 | 58935b25 | Stefano Sabatini | [in][logo1] overlay=10:H-h-10 [in+logo1]; |
927 | [in+logo1][logo2] overlay=W-w-10:H-h-10 [out] |
||
928 | |||
929 | # add a transparent color layer on top of the main video, |
||
930 | # WxH specifies the size of the main input to the overlay filter |
||
931 | color=red@.3:WxH [over]; [in][over] overlay [out] |
||
932 | @end example |
||
933 | |||
934 | You can chain togheter more overlays but the efficiency of such |
||
935 | approach is yet to be tested. |
||
936 | |||
937 | 3275ac6a | Stefano Sabatini | @section pad |
938 | |||
939 | Add paddings to the input image, and places the original input at the |
||
940 | given coordinates @var{x}, @var{y}. |
||
941 | |||
942 | It accepts the following parameters: |
||
943 | @var{width}:@var{height}:@var{x}:@var{y}:@var{color}. |
||
944 | |||
945 | Follows the description of the accepted parameters. |
||
946 | |||
947 | @table @option |
||
948 | @item width, height |
||
949 | |||
950 | Specify the size of the output image with the paddings added. If the |
||
951 | value for @var{width} or @var{height} is 0, the corresponding input size |
||
952 | is used for the output. |
||
953 | |||
954 | The default value of @var{width} and @var{height} is 0. |
||
955 | |||
956 | @item x, y |
||
957 | |||
958 | Specify the offsets where to place the input image in the padded area |
||
959 | with respect to the top/left border of the output image. |
||
960 | |||
961 | The default value of @var{x} and @var{y} is 0. |
||
962 | |||
963 | @item color |
||
964 | |||
965 | Specify the color of the padded area, it can be the name of a color |
||
966 | (case insensitive match) or a 0xRRGGBB[AA] sequence. |
||
967 | |||
968 | b1094275 | Stefano Sabatini | The default value of @var{color} is "black". |
969 | 3275ac6a | Stefano Sabatini | |
970 | @end table |
||
971 | |||
972 | 3d17f4b9 | Stefano Sabatini | For example: |
973 | |||
974 | @example |
||
975 | # Add paddings with color "violet" to the input video. Output video |
||
976 | # size is 640x480, the top-left corner of the input video is placed at |
||
977 | # row 0, column 40. |
||
978 | pad=640:480:0:40:violet |
||
979 | @end example |
||
980 | |||
981 | ce2e4ae3 | Stefano Sabatini | @section pixdesctest |
982 | |||
983 | Pixel format descriptor test filter, mainly useful for internal |
||
984 | testing. The output video should be equal to the input video. |
||
985 | |||
986 | For example: |
||
987 | @example |
||
988 | format=monow, pixdesctest |
||
989 | @end example |
||
990 | |||
991 | can be used to test the monowhite pixel format descriptor definition. |
||
992 | |||
993 | 3275ac6a | Stefano Sabatini | @section scale |
994 | |||
995 | Scale the input video to @var{width}:@var{height} and/or convert the image format. |
||
996 | |||
997 | For example the command: |
||
998 | |||
999 | @example |
||
1000 | ./ffmpeg -i in.avi -vf "scale=200:100" out.avi |
||
1001 | @end example |
||
1002 | |||
1003 | will scale the input video to a size of 200x100. |
||
1004 | |||
1005 | If the input image format is different from the format requested by |
||
1006 | the next filter, the scale filter will convert the input to the |
||
1007 | requested format. |
||
1008 | |||
1009 | If the value for @var{width} or @var{height} is 0, the respective input |
||
1010 | size is used for the output. |
||
1011 | |||
1012 | If the value for @var{width} or @var{height} is -1, the scale filter will |
||
1013 | use, for the respective output size, a value that maintains the aspect |
||
1014 | ratio of the input image. |
||
1015 | |||
1016 | The default value of @var{width} and @var{height} is 0. |
||
1017 | |||
1018 | 2ccbb342 | Stefano Sabatini | @anchor{setdar} |
1019 | @section setdar |
||
1020 | |||
1021 | Set the Display Aspect Ratio for the filter output video. |
||
1022 | |||
1023 | This is done by changing the specified Sample (aka Pixel) Aspect |
||
1024 | Ratio, according to the following equation: |
||
1025 | @math{DAR = HORIZONTAL_RESOLUTION / VERTICAL_RESOLUTION * SAR} |
||
1026 | |||
1027 | Keep in mind that this filter does not modify the pixel dimensions of |
||
1028 | the video frame. Also the display aspect ratio set by this filter may |
||
1029 | be changed by later filters in the filterchain, e.g. in case of |
||
1030 | scaling or if another "setdar" or a "setsar" filter is applied. |
||
1031 | |||
1032 | The filter accepts a parameter string which represents the wanted |
||
1033 | display aspect ratio. |
||
1034 | The parameter can be a floating point number string, or an expression |
||
1035 | of the form @var{num}:@var{den}, where @var{num} and @var{den} are the |
||
1036 | numerator and denominator of the aspect ratio. |
||
1037 | If the parameter is not specified, it is assumed the value "0:1". |
||
1038 | |||
1039 | For example to change the display aspect ratio to 16:9, specify: |
||
1040 | @example |
||
1041 | setdar=16:9 |
||
1042 | # the above is equivalent to |
||
1043 | setdar=1.77777 |
||
1044 | @end example |
||
1045 | |||
1046 | See also the "setsar" filter documentation (@pxref{setsar}). |
||
1047 | |||
1048 | a532bb39 | Stefano Sabatini | @section setpts |
1049 | |||
1050 | Change the PTS (presentation timestamp) of the input video frames. |
||
1051 | |||
1052 | Accept in input an expression evaluated through the eval API, which |
||
1053 | can contain the following constants: |
||
1054 | |||
1055 | @table @option |
||
1056 | @item PTS |
||
1057 | the presentation timestamp in input |
||
1058 | |||
1059 | @item PI |
||
1060 | Greek PI |
||
1061 | |||
1062 | @item PHI |
||
1063 | golden ratio |
||
1064 | |||
1065 | @item E |
||
1066 | Euler number |
||
1067 | |||
1068 | @item N |
||
1069 | the count of the input frame, starting from 0. |
||
1070 | |||
1071 | @item STARTPTS |
||
1072 | the PTS of the first video frame |
||
1073 | |||
1074 | @item INTERLACED |
||
1075 | tell if the current frame is interlaced |
||
1076 | |||
1077 | @item POS |
||
1078 | original position in the file of the frame, or undefined if undefined |
||
1079 | for the current frame |
||
1080 | |||
1081 | @item PREV_INPTS |
||
1082 | previous input PTS |
||
1083 | |||
1084 | @item PREV_OUTPTS |
||
1085 | previous output PTS |
||
1086 | |||
1087 | @end table |
||
1088 | |||
1089 | Some examples follow: |
||
1090 | |||
1091 | @example |
||
1092 | # start counting PTS from zero |
||
1093 | setpts=PTS-STARTPTS |
||
1094 | |||
1095 | # fast motion |
||
1096 | setpts=0.5*PTS |
||
1097 | |||
1098 | # slow motion |
||
1099 | setpts=2.0*PTS |
||
1100 | |||
1101 | # fixed rate 25 fps |
||
1102 | setpts=N/(25*TB) |
||
1103 | |||
1104 | # fixed rate 25 fps with some jitter |
||
1105 | setpts='1/(25*TB) * (N + 0.05 * sin(N*2*PI/25))' |
||
1106 | @end example |
||
1107 | |||
1108 | 2ccbb342 | Stefano Sabatini | @anchor{setsar} |
1109 | @section setsar |
||
1110 | |||
1111 | Set the Sample (aka Pixel) Aspect Ratio for the filter output video. |
||
1112 | |||
1113 | Note that as a consequence of the application of this filter, the |
||
1114 | output display aspect ratio will change according to the following |
||
1115 | equation: |
||
1116 | @math{DAR = HORIZONTAL_RESOLUTION / VERTICAL_RESOLUTION * SAR} |
||
1117 | |||
1118 | Keep in mind that the sample aspect ratio set by this filter may be |
||
1119 | changed by later filters in the filterchain, e.g. if another "setsar" |
||
1120 | or a "setdar" filter is applied. |
||
1121 | |||
1122 | The filter accepts a parameter string which represents the wanted |
||
1123 | sample aspect ratio. |
||
1124 | The parameter can be a floating point number string, or an expression |
||
1125 | of the form @var{num}:@var{den}, where @var{num} and @var{den} are the |
||
1126 | numerator and denominator of the aspect ratio. |
||
1127 | If the parameter is not specified, it is assumed the value "0:1". |
||
1128 | |||
1129 | For example to change the sample aspect ratio to 10:11, specify: |
||
1130 | @example |
||
1131 | setsar=10:11 |
||
1132 | @end example |
||
1133 | |||
1134 | d89e3b36 | Stefano Sabatini | @section settb |
1135 | |||
1136 | Set the timebase to use for the output frames timestamps. |
||
1137 | It is mainly useful for testing timebase configuration. |
||
1138 | |||
1139 | It accepts in input an arithmetic expression representing a rational. |
||
1140 | The expression can contain the constants "PI", "E", "PHI", "AVTB" (the |
||
1141 | default timebase), and "intb" (the input timebase). |
||
1142 | |||
1143 | The default value for the input is "intb". |
||
1144 | |||
1145 | Follow some examples. |
||
1146 | |||
1147 | @example |
||
1148 | # set the timebase to 1/25 |
||
1149 | settb=1/25 |
||
1150 | |||
1151 | # set the timebase to 1/10 |
||
1152 | settb=0.1 |
||
1153 | |||
1154 | #set the timebase to 1001/1000 |
||
1155 | settb=1+0.001 |
||
1156 | |||
1157 | #set the timebase to 2*intb |
||
1158 | settb=2*intb |
||
1159 | |||
1160 | #set the default timebase value |
||
1161 | settb=AVTB |
||
1162 | @end example |
||
1163 | |||
1164 | 3275ac6a | Stefano Sabatini | @section slicify |
1165 | |||
1166 | Pass the images of input video on to next video filter as multiple |
||
1167 | slices. |
||
1168 | |||
1169 | @example |
||
1170 | ./ffmpeg -i in.avi -vf "slicify=32" out.avi |
||
1171 | @end example |
||
1172 | |||
1173 | The filter accepts the slice height as parameter. If the parameter is |
||
1174 | not specified it will use the default value of 16. |
||
1175 | |||
1176 | Adding this in the beginning of filter chains should make filtering |
||
1177 | faster due to better use of the memory cache. |
||
1178 | |||
1179 | 43945b27 | Stefano Sabatini | @section transpose |
1180 | |||
1181 | Transpose rows with columns in the input video and optionally flip it. |
||
1182 | |||
1183 | It accepts a parameter representing an integer, which can assume the |
||
1184 | values: |
||
1185 | |||
1186 | @table @samp |
||
1187 | @item 0 |
||
1188 | Rotate by 90 degrees counterclockwise and vertically flip (default), that is: |
||
1189 | @example |
||
1190 | L.R L.l |
||
1191 | . . -> . . |
||
1192 | l.r R.r |
||
1193 | @end example |
||
1194 | |||
1195 | @item 1 |
||
1196 | Rotate by 90 degrees clockwise, that is: |
||
1197 | @example |
||
1198 | L.R l.L |
||
1199 | . . -> . . |
||
1200 | l.r r.R |
||
1201 | @end example |
||
1202 | |||
1203 | @item 2 |
||
1204 | Rotate by 90 degrees counterclockwise, that is: |
||
1205 | @example |
||
1206 | L.R R.r |
||
1207 | . . -> . . |
||
1208 | l.r L.l |
||
1209 | @end example |
||
1210 | |||
1211 | @item 3 |
||
1212 | Rotate by 90 degrees clockwise and vertically flip, that is: |
||
1213 | @example |
||
1214 | L.R r.R |
||
1215 | . . -> . . |
||
1216 | l.r l.L |
||
1217 | @end example |
||
1218 | @end table |
||
1219 | |||
1220 | 3275ac6a | Stefano Sabatini | @section unsharp |
1221 | |||
1222 | 843b5fd0 | Stefano Sabatini | Sharpen or blur the input video. |
1223 | |||
1224 | It accepts the following parameters: |
||
1225 | @var{luma_msize_x}:@var{luma_msize_y}:@var{luma_amount}:@var{chroma_msize_x}:@var{chroma_msize_y}:@var{chroma_amount} |
||
1226 | 3275ac6a | Stefano Sabatini | |
1227 | Negative values for the amount will blur the input video, while positive |
||
1228 | values will sharpen. All parameters are optional and default to the |
||
1229 | equivalent of the string '5:5:1.0:0:0:0.0'. |
||
1230 | |||
1231 | @table @option |
||
1232 | |||
1233 | @item luma_msize_x |
||
1234 | Set the luma matrix horizontal size. It can be an integer between 3 |
||
1235 | and 13, default value is 5. |
||
1236 | |||
1237 | @item luma_msize_y |
||
1238 | Set the luma matrix vertical size. It can be an integer between 3 |
||
1239 | and 13, default value is 5. |
||
1240 | |||
1241 | @item luma_amount |
||
1242 | Set the luma effect strength. It can be a float number between -2.0 |
||
1243 | and 5.0, default value is 1.0. |
||
1244 | |||
1245 | @item chroma_msize_x |
||
1246 | Set the chroma matrix horizontal size. It can be an integer between 3 |
||
1247 | and 13, default value is 0. |
||
1248 | |||
1249 | @item chroma_msize_y |
||
1250 | Set the chroma matrix vertical size. It can be an integer between 3 |
||
1251 | and 13, default value is 0. |
||
1252 | |||
1253 | @item luma_amount |
||
1254 | Set the chroma effect strength. It can be a float number between -2.0 |
||
1255 | and 5.0, default value is 0.0. |
||
1256 | |||
1257 | @end table |
||
1258 | |||
1259 | @example |
||
1260 | # Strong luma sharpen effect parameters |
||
1261 | unsharp=7:7:2.5 |
||
1262 | |||
1263 | # Strong blur of both luma and chroma parameters |
||
1264 | unsharp=7:7:-2:7:7:-2 |
||
1265 | |||
1266 | # Use the default values with @command{ffmpeg} |
||
1267 | ./ffmpeg -i in.avi -vf "unsharp" out.mp4 |
||
1268 | @end example |
||
1269 | |||
1270 | @section vflip |
||
1271 | |||
1272 | Flip the input video vertically. |
||
1273 | |||
1274 | @example |
||
1275 | ./ffmpeg -i in.avi -vf "vflip" out.avi |
||
1276 | @end example |
||
1277 | |||
1278 | acbac567 | Michael Niedermayer | @section yadif |
1279 | |||
1280 | 1653027a | Stefano Sabatini | Deinterlace the input video ("yadif" means "yet another deinterlacing |
1281 | filter"). |
||
1282 | acbac567 | Michael Niedermayer | |
1283 | 1653027a | Stefano Sabatini | It accepts the optional parameters: @var{mode}:@var{parity}. |
1284 | acbac567 | Michael Niedermayer | |
1285 | 1653027a | Stefano Sabatini | @var{mode} specifies the interlacing mode to adopt, accepts one of the |
1286 | following values: |
||
1287 | acbac567 | Michael Niedermayer | |
1288 | 1653027a | Stefano Sabatini | @table @option |
1289 | @item 0 |
||
1290 | output 1 frame for each frame |
||
1291 | @item 1 |
||
1292 | output 1 frame for each field |
||
1293 | @item 2 |
||
1294 | like 0 but skips spatial interlacing check |
||
1295 | @item 3 |
||
1296 | like 1 but skips spatial interlacing check |
||
1297 | @end table |
||
1298 | acbac567 | Michael Niedermayer | |
1299 | Default value is 0. |
||
1300 | |||
1301 | 1653027a | Stefano Sabatini | @var{parity} specifies the picture field parity assumed for the input |
1302 | interlaced video, accepts one of the following values: |
||
1303 | acbac567 | Michael Niedermayer | |
1304 | 1653027a | Stefano Sabatini | @table @option |
1305 | @item 0 |
||
1306 | assume bottom field first |
||
1307 | @item 1 |
||
1308 | assume top field first |
||
1309 | @item -1 |
||
1310 | enable automatic detection |
||
1311 | acbac567 | Michael Niedermayer | @end table |
1312 | |||
1313 | 1653027a | Stefano Sabatini | Default value is -1. |
1314 | a51c71bb | Baptiste Coudurier | If interlacing is unknown or decoder does not export this information, |
1315 | top field first will be assumed. |
||
1316 | 1653027a | Stefano Sabatini | |
1317 | 3275ac6a | Stefano Sabatini | @c man end VIDEO FILTERS |
1318 | |||
1319 | @chapter Video Sources |
||
1320 | @c man begin VIDEO SOURCES |
||
1321 | |||
1322 | Below is a description of the currently available video sources. |
||
1323 | |||
1324 | 24413399 | Stefano Sabatini | @section buffer |
1325 | |||
1326 | Buffer video frames, and make them available to the filter chain. |
||
1327 | |||
1328 | This source is mainly intended for a programmatic use, in particular |
||
1329 | ac1a31ab | VĂctor Paesa | through the interface defined in @file{libavfilter/vsrc_buffer.h}. |
1330 | 24413399 | Stefano Sabatini | |
1331 | It accepts the following parameters: |
||
1332 | 7b3ea550 | Michael Niedermayer | @var{width}:@var{height}:@var{pix_fmt_string}:@var{timebase_num}:@var{timebase_den}:@var{sample_aspect_ratio_num}:@var{sample_aspect_ratio.den} |
1333 | 24413399 | Stefano Sabatini | |
1334 | All the parameters need to be explicitely defined. |
||
1335 | |||
1336 | Follows the list of the accepted parameters. |
||
1337 | |||
1338 | @table @option |
||
1339 | |||
1340 | @item width, height |
||
1341 | Specify the width and height of the buffered video frames. |
||
1342 | |||
1343 | @item pix_fmt_string |
||
1344 | A string representing the pixel format of the buffered video frames. |
||
1345 | It may be a number corresponding to a pixel format, or a pixel format |
||
1346 | name. |
||
1347 | |||
1348 | 94498ec9 | Stefano Sabatini | @item timebase_num, timebase_den |
1349 | Specify numerator and denomitor of the timebase assumed by the |
||
1350 | timestamps of the buffered frames. |
||
1351 | 7b3ea550 | Michael Niedermayer | |
1352 | @item sample_aspect_ratio.num, sample_aspect_ratio.den |
||
1353 | Specify numerator and denominator of the sample aspect ratio assumed |
||
1354 | by the video frames. |
||
1355 | 24413399 | Stefano Sabatini | @end table |
1356 | |||
1357 | For example: |
||
1358 | @example |
||
1359 | 7b3ea550 | Michael Niedermayer | buffer=320:240:yuv410p:1:24:1:1 |
1360 | 24413399 | Stefano Sabatini | @end example |
1361 | |||
1362 | will instruct the source to accept video frames with size 320x240 and |
||
1363 | 7b3ea550 | Michael Niedermayer | with format "yuv410p", assuming 1/24 as the timestamps timebase and |
1364 | square pixels (1:1 sample aspect ratio). |
||
1365 | 94498ec9 | Stefano Sabatini | Since the pixel format with name "yuv410p" corresponds to the number 6 |
1366 | (check the enum PixelFormat definition in @file{libavutil/pixfmt.h}), |
||
1367 | this example corresponds to: |
||
1368 | 24413399 | Stefano Sabatini | @example |
1369 | 94498ec9 | Stefano Sabatini | buffer=320:240:6:1:24 |
1370 | 24413399 | Stefano Sabatini | @end example |
1371 | |||
1372 | 23ccf3c7 | Stefano Sabatini | @section color |
1373 | |||
1374 | Provide an uniformly colored input. |
||
1375 | |||
1376 | It accepts the following parameters: |
||
1377 | b5f47309 | Stefano Sabatini | @var{color}:@var{frame_size}:@var{frame_rate} |
1378 | 23ccf3c7 | Stefano Sabatini | |
1379 | Follows the description of the accepted parameters. |
||
1380 | |||
1381 | @table @option |
||
1382 | |||
1383 | @item color |
||
1384 | Specify the color of the source. It can be the name of a color (case |
||
1385 | insensitive match) or a 0xRRGGBB[AA] sequence, possibly followed by an |
||
1386 | alpha specifier. The default value is "black". |
||
1387 | |||
1388 | @item frame_size |
||
1389 | Specify the size of the sourced video, it may be a string of the form |
||
1390 | @var{width}x@var{heigth}, or the name of a size abbreviation. The |
||
1391 | default value is "320x240". |
||
1392 | |||
1393 | @item frame_rate |
||
1394 | Specify the frame rate of the sourced video, as the number of frames |
||
1395 | generated per second. It has to be a string in the format |
||
1396 | @var{frame_rate_num}/@var{frame_rate_den}, an integer number, a float |
||
1397 | number or a valid video frame rate abbreviation. The default value is |
||
1398 | "25". |
||
1399 | |||
1400 | @end table |
||
1401 | |||
1402 | For example the following graph description will generate a red source |
||
1403 | with an opacity of 0.2, with size "qcif" and a frame rate of 10 |
||
1404 | frames per second, which will be overlayed over the source connected |
||
1405 | to the pad with identifier "in". |
||
1406 | |||
1407 | @example |
||
1408 | "color=red@@0.2:qcif:10 [color]; [in][color] overlay [out]" |
||
1409 | @end example |
||
1410 | |||
1411 | 9b8bb626 | Stefano Sabatini | @section movie |
1412 | |||
1413 | Read a video stream from a movie container. |
||
1414 | |||
1415 | It accepts the syntax: @var{movie_name}[:@var{options}] where |
||
1416 | @var{movie_name} is the name of the resource to read (not necessarily |
||
1417 | a file but also a device or a stream accessed through some protocol), |
||
1418 | and @var{options} is an optional sequence of @var{key}=@var{value} |
||
1419 | pairs, separated by ":". |
||
1420 | |||
1421 | The description of the accepted options follows. |
||
1422 | |||
1423 | @table @option |
||
1424 | |||
1425 | @item format_name, f |
||
1426 | Specifies the format assumed for the movie to read, and can be either |
||
1427 | the name of a container or an input device. If not specified the |
||
1428 | format is guessed from @var{movie_name} or by probing. |
||
1429 | |||
1430 | @item seek_point, sp |
||
1431 | Specifies the seek point in seconds, the frames will be output |
||
1432 | starting from this seek point, the parameter is evaluated with |
||
1433 | @code{av_strtod} so the numerical value may be suffixed by an IS |
||
1434 | postfix. Default value is "0". |
||
1435 | |||
1436 | @item stream_index, si |
||
1437 | Specifies the index of the video stream to read. If the value is -1, |
||
1438 | the best suited video stream will be automatically selected. Default |
||
1439 | value is "-1". |
||
1440 | |||
1441 | @end table |
||
1442 | |||
1443 | This filter allows to overlay a second video on top of main input of |
||
1444 | a filtergraph as shown in this graph: |
||
1445 | @example |
||
1446 | input -----------> deltapts0 --> overlay --> output |
||
1447 | ^ |
||
1448 | | |
||
1449 | movie --> scale--> deltapts1 -------+ |
||
1450 | @end example |
||
1451 | |||
1452 | Some examples follow: |
||
1453 | @example |
||
1454 | # skip 3.2 seconds from the start of the avi file in.avi, and overlay it |
||
1455 | # on top of the input labelled as "in". |
||
1456 | movie=in.avi:seek_point=3.2, scale=180:-1, setpts=PTS-STARTPTS [movie]; |
||
1457 | [in] setpts=PTS-STARTPTS, [movie] overlay=16:16 [out] |
||
1458 | |||
1459 | # read from a video4linux2 device, and overlay it on top of the input |
||
1460 | # labelled as "in" |
||
1461 | movie=/dev/video0:f=video4linux2, scale=180:-1, setpts=PTS-STARTPTS [movie]; |
||
1462 | [in] setpts=PTS-STARTPTS, [movie] overlay=16:16 [out] |
||
1463 | |||
1464 | @end example |
||
1465 | |||
1466 | 3275ac6a | Stefano Sabatini | @section nullsrc |
1467 | |||
1468 | Null video source, never return images. It is mainly useful as a |
||
1469 | template and to be employed in analysis / debugging tools. |
||
1470 | |||
1471 | It accepts as optional parameter a string of the form |
||
1472 | 16134b7c | Stefano Sabatini | @var{width}:@var{height}:@var{timebase}. |
1473 | 3275ac6a | Stefano Sabatini | |
1474 | 16134b7c | Stefano Sabatini | @var{width} and @var{height} specify the size of the configured |
1475 | source. The default values of @var{width} and @var{height} are |
||
1476 | respectively 352 and 288 (corresponding to the CIF size format). |
||
1477 | |||
1478 | @var{timebase} specifies an arithmetic expression representing a |
||
1479 | timebase. The expression can contain the constants "PI", "E", "PHI", |
||
1480 | "AVTB" (the default timebase), and defaults to the value "AVTB". |
||
1481 | 3275ac6a | Stefano Sabatini | |
1482 | f8608dca | Stefano Sabatini | @section frei0r_src |
1483 | |||
1484 | Provide a frei0r source. |
||
1485 | |||
1486 | To enable compilation of this filter you need to install the frei0r |
||
1487 | a6be21d3 | Michael Niedermayer | header and configure FFmpeg with --enable-frei0r. |
1488 | f8608dca | Stefano Sabatini | |
1489 | The source supports the syntax: |
||
1490 | @example |
||
1491 | @var{size}:@var{rate}:@var{src_name}[@{=|:@}@var{param1}:@var{param2}:...:@var{paramN}] |
||
1492 | @end example |
||
1493 | |||
1494 | @var{size} is the size of the video to generate, may be a string of the |
||
1495 | form @var{width}x@var{height} or a frame size abbreviation. |
||
1496 | @var{rate} is the rate of the video to generate, may be a string of |
||
1497 | the form @var{num}/@var{den} or a frame rate abbreviation. |
||
1498 | @var{src_name} is the name to the frei0r source to load. For more |
||
1499 | information regarding frei0r and how to set the parameters read the |
||
1500 | section "frei0r" (@pxref{frei0r}) in the description of the video |
||
1501 | filters. |
||
1502 | |||
1503 | Some examples follow: |
||
1504 | @example |
||
1505 | # generate a frei0r partik0l source with size 200x200 and framerate 10 |
||
1506 | # which is overlayed on the overlay filter main input |
||
1507 | frei0r_src=200x200:10:partik0l=1234 [overlay]; [in][overlay] overlay |
||
1508 | @end example |
||
1509 | |||
1510 | 3275ac6a | Stefano Sabatini | @c man end VIDEO SOURCES |
1511 | |||
1512 | @chapter Video Sinks |
||
1513 | @c man begin VIDEO SINKS |
||
1514 | |||
1515 | Below is a description of the currently available video sinks. |
||
1516 | |||
1517 | @section nullsink |
||
1518 | |||
1519 | Null video sink, do absolutely nothing with the input video. It is |
||
1520 | mainly useful as a template and to be employed in analysis / debugging |
||
1521 | tools. |
||
1522 | |||
1523 | @c man end VIDEO SINKS |